Franz Vitzthum Brings Exclamatio to the Mariendom Freising

Event: Exclamatio in Mariendom Freising, Domberg 36, 85354 Freising on 22. August 2026

Date and Time

22. August 2026 19:30

Location

Freising
85 Freising, Deutschland

Price

25,00

About this Event

Concerts

Mood

Relaxed

Venue Type

Inside

Baroque Exclamations in the Mariendom: Exclamatio brings Freising to Listen

On Saturday, August 22, 2026, the Mariendom Freising will be filled with baroque sacred music full of tension, clarity, and spiritual power. Under the title Exclamatio, works from Schütz to Bach will meet the special acoustics of the cathedral and the expressive voice of Franz Vitzthum.

An Evening Between Devotion and Grand Gesture

The preliminary announcement promises a concert that seeks a fine balance between contemplative calm and radiant expressivity. Countertenor Franz Vitzthum is known for his precise intonation, his agile voice, and stylistic confidence in Early Music. Especially in baroque sacred music, this mixture unfolds the intensity that not only fills the space but also makes it resonate.

The Cathedral as a Resonating Space

The Mariendom on Freising's Domberg is one of the most prominent sound locations in the region. Its architecture, historical depth, and elevated location above the old town create an atmosphere where vocal music and ensemble sound have a particularly direct impact. Anyone experiencing a concert here does not just hear music but experiences a live atmosphere where reverberation, articulation, and text interpretation come together into an intense whole.

Baroque Ensemble and Cathedral Music in Dialogue

With the baroque ensemble Eglhuber and the Dommusik Freising, a lineup is on the program that is close to the spirit of performance practice. In this music, transparency, breath, affect, and finely tuned synchronization between voice and instruments count. It is precisely from this that the tension emerges, making baroque motets, sacred arias, and cantatas so immediate.

Why This Concert Deserves Attention

Exclamatio relies on strong contrasts: intimate lines, animated coloraturas, and a carefully shaped soundscape between Schütz, Buxtehude, Erlebach, and Bach. For visitors, this means a concert experience that is both historically grounded and emotionally touching. The combination of sacred space, spiritual music, and renowned interpretation gives this evening a special radiance.

Conclusion: Exclamatio promises a concentrated, atmospheric concert evening in the Mariendom Freising that makes baroque sacred music audible in its full expressive power. Anyone who loves music with depth, spatial impact, and fine vocal artistry should experience this concert live.

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