When can the Reinhard Wöllmer exhibition be seen in Freising?

The exhibition can be seen from September 22 to November 7, 2026 at galerie 13.

Where is the exhibition taking place?

The exhibition takes place at galerie 13, Dr.-Karl-Schuster-Str. 15, 85354 Freising.

What is the admission fee?

Admission to the exhibition is free.

What are the opening hours?

galerie 13 is open on Tuesdays, Wednesdays, and Fridays from 2 PM to 6:30 PM, Thursdays from 2 PM to 8:30 PM, and Saturdays from 10 AM to 1 PM. Visits are also possible by appointment.

What artworks are featured in the exhibition?

The exhibition features paper objects and steel sculptures by Reinhard Wöllmer, including works in the tension between geometric construction, circular forms, materiality, and poetic abstraction.

Are there any guided tours or workshops?

Information about guided tours and workshops will follow.

Paper becomes Sculpture: Discover Reinhard Wöllmer's Poetic World of Forms in Freising

Name: Reinhard Wöllmer - Paper Objects and Steel Sculptures
Start: 2026-09-22
End: 2026-11-07T23:59:00+01:00
Location: galerie 13

Between Paper and Steel: Reinhard Wöllmer's Poetic Material Art in Freising

The galerie 13 in Freising presents the exhibition Reinhard Wöllmer – Paper Objects and Steel Sculptures from September 22 to November 7, 2026. The art experience leads into a multifaceted body of work that combines strict construction with playful poetry and makes the aesthetic tension of lightness, weight, surface, and space palpable.

A Distinctive Artistic Language

Reinhard Wöllmer, born in 1957 in Nuremberg, studied painting at the Academy of Fine Arts in Nuremberg under Clemens Fischer and graduated as a master student. His artistic practice moves between painting, object art, sculpture, and structural abstraction. Awards such as the Hollfeld Art Prize and the Art Prize of the Kunstverein Spirale Treuchtlingen belong to the milestones of his career.

Wöllmer's works are marked by a consistent engagement with material, form, and perception. Recurring circular objects, color space reliefs, cutting works, and constructive compositions showcase an artistic direction where reduction is not seen as renunciation but as a concentrated artistic decision.

Paper as a Sculptural Material

The artist's handling of paper is particularly impressive. Colored papier-mâché is not merely used as a flat picture surface but is sculpturally worked. Rolled paper is predominantly formed by Wöllmer with a hammer into convex and concave bodies. This results in relief-like surfaces, striking edges, and subtle transitions between drawing, collage, and sculpture.

Looking at the works directs attention to layering, shadow lines, and material tension. Light changes the perception of the paper objects, making depressions appear darker and highlighting raised areas. In the exhibition atmosphere, the seemingly light works unfold a surprising spatial presence.

Strict Construction and Playful Poetry

Wöllmer's art thrives on the tension between opposites. The circular form refers to order, repetition, and closure, while the handcrafted treatment gives each form individual traces. Thus, geometric clarity meets gestural irregularity, planned construction, and sensual materiality.

The steel sculptures expand this dialogue to weight, stability, and architectural presence. In relation to the paper objects, they appear as concentrated counterpoints: While paper responds to folding, layering, and light, steel asserts its form in space. The exhibition makes this interaction accessible as an immediate aesthetic experience.

Art Historical Context and Cultural Education

The works can be viewed in the context of constructive and concrete art without being reduced to a rigid stylistic principle. Wöllmer combines geometric basic forms with artisanal transformation and a pronounced affinity for the material. This curation opens a vivid access to questions of modern sculpture: How does a surface become a body? How does light change the form? And when does a material begin to think spatially?

The exhibition is suitable for both an intensive examination of the works and a first access to contemporary material art. It promotes cultural education because it sharpens perception not through spectacular effects, but through precise observation, spatial orientation, and the sensual experience of surfaces.

Conclusion: A Concentrated Art Experience at galerie 13

Visitors can expect an exhibition where paper gains surprising physicality and steel unfolds a quiet, constructive power. Reinhard Wöllmer's paper objects and steel sculptures invite us to see material in a new way and discover the transitions between painting, relief, and sculpture. Anyone wanting to experience contemporary art, geometric abstraction, and poetic material aesthetics firsthand should definitely visit this exhibition at galerie 13 in Freising.