Reinhard Wöllmer at galerie 13: Paper, Steel, and Poetic Form

Event: Reinhard Wöllmer – Paper Objects and Steel Sculptures in galerie 13, Dr.-Karl-Schuster-Str. 15, 85354 Freising on 22. September 2026

Date and Time

22. September 2026 14:00

Location

Freising
85 Freising, Deutschland

Price

Free

About this Event

Exhibitions & Museums

Mood

Relaxed

Venue Type

Inside

When Paper Gains Space and Steel Becomes Poetic

The galerie 13 in Freising is dedicating a concentrated exhibition to Reinhard Wöllmer that stands between structural abstraction, strict construction, and playful poetry. From September 22 to November 7, 2026, paper objects and steel sculptures will meet in an aesthetic experience that makes material, form, light, and space immediately perceivable.

From Flat Sheet to Sculptural Body

Reinhard Wöllmer, born in 1957 in Nuremberg, initially completed an apprenticeship as a decorator and window dresser. He then studied painting at the Academy of Fine Arts in Nuremberg, graduating as a master student of Clemens Fischer. His artistic work oscillates between painting, object art, and sculpture.

At the center of the exhibition are paper objects made from colored papier-mâché. Wöllmer does not treat paper as a fragile image carrier, but as a plastic material. He primarily works the flattened paper surfaces with a hammer, shaping them into convex-concave bodies. It is precisely from this unusual craftsmanship that an independent, corporeal visual language emerges.

Circular Forms Between Order and Movement

The circular object shapes Wöllmer's form language. Curves, discs, and vaulted surfaces connect geometric clarity with an almost organic presence. The contemplation of the works leads from the strict contour to the sensual surface, revealing how repetition, rhythm, and material tension create a poetic composition.

Lightness and Heaviness in Dialogue

The paper works are complemented by steel sculptures. Paper represents folding, elasticity, and tactile finesse, while steel brings weight, stability, and architectural presence into the exhibition space. In the exhibition atmosphere, a tension-rich dialogue emerges between apparent opposites: soft and hard, light and heavy, surface and body, construction and poetry.

Wöllmer's oeuvre is thus close to a contemporary, material-conscious abstraction. His works focus the gaze on elemental questions of form: How does a surface become a spatial body? How does light alter the perception of a curve? And when does an industrially or everyday material begin to develop its own poetic language?

Art Historical Classification and Cultural Education

The exhibition offers an illustrative access to central themes of modern and contemporary sculpture. It shows how plastic thinking is not only realized in stone or bronze but also in paper, steel, and processed everyday materials. For cultural education, the presentation offers numerous connections: material perception, geometric basic forms, structural abstraction, and the relationship between work, space, and viewers.

Wöllmer's works invite a decelerated contemplation of the art piece. Their effect unfolds not only through the first visual impression but also through shadows, edges, volumes, and the felt tension between surface and inner construction. Thus, the gallery visit becomes an art experience that sharpens perception and deepens aesthetic experience.

Conclusion: An Exhibition for Curious Eyes

Reinhard Wöllmer's paper objects and steel sculptures promise a profound encounter with material, form, and space. Art enthusiasts will experience in galerie 13 an exhibition that combines artisanal precision with poetic openness. Those who want to experience contemporary sculpture, object art, and structural abstraction firsthand should definitely visit this exhibition live in Freising.

Official Channels of Reinhard Wöllmer:

  • Instagram: no official profile found
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  • YouTube: no official profile found
  • Website: https://www.woellmer.net/

Sources:

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